Story Design at ELI 2019
What is Story Design?
The Story Design framework is based on a longstanding three-act film story structure, and draws from rich histories of storytelling dating back to Aristotle’s Poetics. But the premise is simple: if a class, course, or workshop is itself a story, then how can it best be crafted to engage participant characters in an exciting educational journey? Because Story Design is intended to be flexible enough to apply to entire courses, individual class sessions, workshops or simple demos, I’ll often refer to these all as learning experiences throughout this site.
Story Design and Digital Storytelling
Story Design is intended for instructors and students
While Story Design is intended as one way to create a “recipe” for a course or lesson design, it’s not a recipe that needs to be kept secret. In fact, if participants are intended to be both characters and co-authors of the story of the learning experience, it would make sense that they are privy to this process. After all, one of the reasons we engage with stories is because we identify with the characters and we want to travel with them in their story journey. If a student realizes early in a class that there is a narrative arc that she is traveling on, she may be more invested in seeing where that journey takes her. So feel free to tune students into the fact that they are participating in a story you’ve designed, and one that they’ll be invited to co-create along the way.
Why Story Design?
Story Design as an instructional design framework isn’t entirely new. As with most how-to’s or methodologies, it is greatly informed by its predecessors and in the case of Story Design, this includes those in the areas of instructional design and learning theory, as well as from considerations of aesthetics and story structure dating back to Aristotle’s Poetics. What I hope it adds to the field of instructional design is a more accessible approach to designing learning experiences that connects to the universally human practice of storytelling. I feel that where instructional design as a field of study has leaned heavily on learning science (and for good reason), this has sometimes resulted in sterile instructional design models with obtuse flowchart illustrations that turn off many educators. As helpful as some of these may be, a tool is generally less effective when one doesn’t like to use it, so I created Story Design to connect to the storyteller in all of us.
– Ben Gottfried, M.Ed. Learning Technologies, M.A. Film Studies

